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The combination of the Tabla, Strings and Antara's vocals is marvellous to state the least. If you thought the 1st stanza was melodious, listen to the 2nd and this is one of Rahman's best in the last few years. not only 2 different interludes but 2 varied stanzas as well. Vignesh plays the solo violin in the first interlude and then Rahman does something we have longed to hear, i.e. The opening lines show an influence of Ragam Sumanesa Ranjani, do you remember MSV's "oru Naal iravu pagal pol nilavu". You can just close your eyes and listen to the enthralling vocals by Antara and the detailed sounds by AR Rahman which take us back 1000 years. Being a period movie ARR brings in the use of the Harp played by Lydia Stankulova. Nakul Abhyankar has supervised on this and this song is heavy on strings thanks to the Chennai Strings and Sunshine Orchestra. First of all Antara Nandy sings this complex song with adequate ease and if you pay attention to the way the notes have been written and structured, replicating them as a singer is quite a task. In PS-1 as an album, Rahman barely gets a pass mark but in this song, he rises to his bring his game phase on. Song Composed, Produced and Arranged by A.R.RahmanĪR Rahman is nowhere near his best but he can still come up with a solid number like this. The track is recorded by Anish Mohan and mixed and mastered by Sriram Ravi. The keyboard and rhythm programming handles the layers of instrumentation like the sounds of strings and keys and percussion, but a constant layer of creativity comes from the harmonies thanks to the Choir team.
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The stanza brings to light the female vocals, Sharanya and Sireesha, introduce some very likeable ghamakas as they perform. Laxman Arvind's bass guitars keep accompanying the track with great style and depth and the final output credits must also go to Sebastian Satish who is involved with additional music production. We have the Choir vocals as well involving Sushmitha Narasimhan, Nidhi Saraogi, Karthik Manickavasakam and Manoj Krishna with arrangements by Karthik.
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The different textures of Manoj and Sreekanth's vocals are there for us to hear and that is essential to present a song. To me it starts with some influence of Ragam Saranga but Manoj tells me there is much more of a vibe of Ragam Dwijavanthi. These wonderful vocalists combine effectively and deliver the melody. The song is composed, produced and arranged by Manoj and has multiple artists performing vocally like Manoj Krishna, Sreekanth Hariharan, Haripriya, Sharanya Srinivas and Sireesha Bhagavatula. I have heard some great things about Manoj Krishna from a few established singers in the Tamil music space, but I have witnessed for myself that he is a fantastic singer and his indie projects have ended up being featured on Behindwoods as well as my website for Indian music. Vocals: Manoj Krishna, Sreekanth Hariharan, Haripriya, Sharanya Srinivas, Sireesha Bhagavatula.
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